W. Shakespeare: Measure for measure – Sitater

Her skal jeg legge ut sitater for stykket Measure for Measure.

Akt 1

Her begynner vi med et sitat fra Claudio, i det han blir ført bort i fengsel.

CLAUDIO
From too much liberty, my Lucio, liberty:
As surfeit is the father of much fast,
So every scope by the immoderate use
Turns to restraint. Our natures do pursue,
Like rats that ravin down their proper bane,
A thirsty evil; and when we drink we die.
(1,2,124-126)

Det var den akten.

Akt 2

I begynnelsen av denne akten snakker Angelo med Escolus om dødsstraffen Claudio har fått. Escolus har bedt Angelo se i seg selv, om kanskje ikke han også har følt seg fristet av de samme forbrytelser Claudio nå blir dømt for. Svaret er bemerkelsesverdig.

ANGELO
‘Tis one thing to be tempted, Escalus,
Another thing to fall. I not deny,
The jury, passing on the prisoner’s life,
May in the sworn twelve have a thief or two
Guiltier than him they try. What’s open made to justice,
That justice seizes: what know the laws
That thieves do pass on thieves? ‘Tis very pregnant,
The jewel that we find, we stoop and take’t
Because we see it; but what we do not see
We tread upon, and never think of it.
You may not so extenuate his offence
For I have had such faults; but rather tell me,
When I, that censure him, do so offend,
Let mine own judgment pattern out my death,
And nothing come in partial. Sir, he must die.
2,1,17-31

Etter det sier Escalus

ESCALUS
Well, heaven forgive him! and forgive us all!
Some rise by sin, and some by virtue fall:
Some run from brakes of ice, and answer none:
And some condemned for a fault alone.
2,1,37-40

For meg som er glad i Russland er denne fin.

ANGELO
This will last out a night in Russia,
When nights are longest there: I’ll take my leave.
2,1,128-129

I neste scene kommer Isabella og ber om nåde for Claudio. Angelo skal heller fordømme synden enn synderen, hvorpå han svarer

ANGELO
Condemn the fault and not the actor of it?
Why, every fault’s condemn’d ere it be done:
  2,2,37-38

Senere sier han

ANGELO
It is the law, not I, condemns your brother;
  2,2,80

Isabella svarer

ISABELLA
Who is it that hath died for this offence?
There’s many have committed it.
  2,2,88-89

Og litt lenger nede

ISABELLA
O, ’tis excellent
To have a giant’s strength, but it is tyrannous
To use it like a giant.
  2,2,106-109

I scene fire har Isabella denne berømte replikken

ISABELLA
And ’twere the cheaper way:
Better it were a brother died at once,
Than that a sister, by redeeming him,
Should die for ever.
  2,4,105-108

Her fortsetter teksten.

Akt 3

Det er starten og slutten på denne som er berømt, jeg viser dem, og så hva som er i midten.

DUKE VINCENTIO
Be absolute for death; either death or life
Shall thereby be the sweeter. Reason thus with life:
If I do lose thee, I do lose a thing
That none but fools would keep: a breath thou art,

Det er hertugen som snakker med Claudio i fengselet. Resten av replikken går slik.

DUKE VINCENTIO
Be absolute for death; either death or life
Shall thereby be the sweeter. Reason thus with life:
If I do lose thee, I do lose a thing
That none but fools would keep: a breath thou art,
Servile to all the skyey influences,
That dost this habitation, where thou keep’st,
Hourly afflict: merely, thou art death’s fool;
For him thou labour’st by thy flight to shun
And yet runn’st toward him still. Thou art not noble;
For all the accommodations that thou bear’st
Are nursed by baseness. Thou’rt by no means valiant;
For thou dost fear the soft and tender fork
Of a poor worm. Thy best of rest is sleep,
And that thou oft provokest; yet grossly fear’st
Thy death, which is no more. Thou art not thyself;
For thou exist’st on many a thousand grains
That issue out of dust. Happy thou art not;
For what thou hast not, still thou strivest to get,
And what thou hast, forget’st. Thou art not certain;
For thy complexion shifts to strange effects,
After the moon. If thou art rich, thou’rt poor;
For, like an ass whose back with ingots bows,
Thou bear’s thy heavy riches but a journey,
And death unloads thee. Friend hast thou none;
For thine own bowels, which do call thee sire,
The mere effusion of thy proper loins,
Do curse the gout, serpigo, and the rheum,
For ending thee no sooner. Thou hast nor youth nor age,
But, as it were, an after-dinner’s sleep,
Dreaming on both; for all thy blessed youth
Becomes as aged, and doth beg the alms
Of palsied eld; and when thou art old and rich,
Thou hast neither heat, affection, limb, nor beauty,
To make thy riches pleasant. What’s yet in this
That bears the name of life? Yet in this life
Lie hid moe thousand deaths: yet death we fear,
That makes these odds all even.

Claudio er først enig, men siden så sier han:

CLAUDIO
The weariest and most loathed worldly life
That age, ache, penury and imprisonment
Can lay on nature is a paradise
To what we fear of death.
3,1,131-35

Sier Claudio.

ISABELLA
Is’t not a kind of incest, to take life
From thine own sister’s shame? What should I think?
Heaven shield my mother play’d my father fair!
For such a warped slip of wilderness
Ne’er issued from his blood. Take my defiance!
Die, perish! Might but my bending down
Reprieve thee from thy fate, it should proceed:
I’ll pray a thousand prayers for thy death,
No word to save thee.
1,1,142-150

Her er det spesielt at Isabella sammenligner det Claudio oppfordrer henne til å gjøre med incest, han henter liv ut av hennes skam. Jeg kan imidlertid ikke se hvordan det er dekning for å kalle dette incest, og velartikulerte Isabella kan heller ikke dekke seg under av at følelsene løper av med henne. Det er en intendert dobbeltbetydning i bending down, som er nettopp den handlingen Angelo vil ha henne til å gjøre.

 

Akt 4

Fortsetter

Akt 5

Fortsetter

*

For Measure for measure finnes også Tema og motiv, Karakterer og Synopsis.

Reklamer

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